{"id":219060,"date":"2025-10-27T19:07:47","date_gmt":"2025-10-27T19:07:47","guid":{"rendered":"https:\/\/www.withinnigeria.com\/entertainment\/?p=219060"},"modified":"2025-10-27T19:07:47","modified_gmt":"2025-10-27T19:07:47","slug":"the-remix-formula-why-nigerian-artists-keep-reviving-old-classics-we-grew-up-with","status":"publish","type":"post","link":"https:\/\/www.withinnigeria.com\/entertainment\/2025\/10\/27\/the-remix-formula-why-nigerian-artists-keep-reviving-old-classics-we-grew-up-with\/","title":{"rendered":"The remix formula: Why Nigerian artists keep reviving old classics we grew up with"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Nigerian music has always had a memory. Even when it dances into the future with Afrobeats and global fusions, it never quite forgets the melodies that raised a generation. In the last few years, that memory has become a full-blown movement. From Tems reviving Seyi Sodimu\u2019s <\/span><span class=\"s3\">Love Me Jeje<\/span><span class=\"s1\"> to Simi\u2019s soulful take on Ebenezer Obey\u2019s <\/span><span class=\"s3\">Aimasiko<\/span><span class=\"s1\">, the new wave of artists are reaching into the country\u2019s golden musical archives and reintroducing old emotions to new ears.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">The Nostalgia Effect<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">Every few months, another familiar sound sneaks back into the charts, reborn in the voice of a modern star. These revivals aren\u2019t lazy remakes. They are cultural conversations between eras and proof that Nigerian music\u2019s past still shapes its most innovative future. Younger artists see it as homage. Older listeners see it as validation. Together, they fuel a nostalgia economy that keeps growing with every remix, sample, and reimagined classic.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Streaming platforms and social media have also made these cross-generational experiments more rewarding. Younger fans now discover legends like Ebenezer Obey, Osita Osadebe, or Oliver De Coque not through dusty vinyls but through remixes trending on TikTok or music videos racking up millions of views on YouTube.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">The Classics Reborn<\/span><\/strong><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Aimasiko \u2013 From Ebenezer Obey to Simi<\/span><\/strong><\/p>\n<figure id=\"attachment_219067\" aria-describedby=\"caption-attachment-219067\" style=\"width: 677px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219067\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2232.jpeg\" alt=\"\" width=\"677\" height=\"453\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2232.jpeg 677w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2232-300x201.jpeg 300w\" sizes=\"(max-width: 677px) 100vw, 677px\" \/><figcaption id=\"caption-attachment-219067\" class=\"wp-caption-text\">Ebenezer Obey | Simi<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">When Simi reworked <\/span><span class=\"s3\">Aimasiko<\/span><span class=\"s1\">, she wasn\u2019t just reviving a classic juju track but was paying respect to a timeless philosophy. The original, released by Chief Commander Ebenezer Obey decades ago, preached patience and faith in divine timing. Simi\u2019s version, nestled in her debut album <\/span><span class=\"s3\">Simisola<\/span><span class=\"s1\">, introduced the wisdom of the elders to a younger Afropop audience. With Obey\u2019s blessing and a music video rich in Yoruba culture, the song became both a bridge and a blessing. Basically, a spiritual anthem wrapped in pop soul.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Davido\u2019s nods to tradition and the KWAM 1 link<\/span><\/strong><\/p>\n<figure id=\"attachment_219071\" aria-describedby=\"caption-attachment-219071\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219071\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea.jpeg\" alt=\"\" width=\"2560\" height=\"1280\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea.jpeg 2560w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea-300x150.jpeg 300w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea-1024x512.jpeg 1024w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea-768x384.jpeg 768w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea-1536x768.jpeg 1536w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/7e636279-be7f-4fec-a55e-0c43681540ea-2048x1024.jpeg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-219071\" class=\"wp-caption-text\">KWAM 1| Davido| Bright Chimezie<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Davido is often framed as a modern Afrobeats superstar but he has also leaned on older Nigerian textures to root his sound. His 2017 single <\/span><span class=\"s3\">Like Dat<\/span><span class=\"s1\"> carries rhythmic and melodic nods to Fuji pioneer King Wasiu Ayinde Marshal, popularly KWAM 1, showing how mainstream pop borrows from Fuji\u2019s percussive energy. More recently Davido\u2019s 2025 work credited Bright Chimezie as an influence on <\/span><span class=\"s3\">With You<\/span><span class=\"s1\">, a reminder that big stars use classic hooks and regional genres to widen emotional reach and spotlight older icons again. These are not accidental lifts but deliberate choices that fold musical ancestry into modern hits. <\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Sweet Mother \u2013 Nigeria\u2019s Eternal Love Letter<\/span><\/strong><\/p>\n<figure id=\"attachment_219066\" aria-describedby=\"caption-attachment-219066\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219066\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2233.jpeg\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2233.jpeg 640w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2233-300x300.jpeg 300w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2233-150x150.jpeg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-219066\" class=\"wp-caption-text\">Prince Nico Mbarga<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">There are songs, and then there is <\/span><span class=\"s3\">Sweet Mother<\/span><span class=\"s1\">. Originally released by Prince Nico Mbarga in 1976, the highlife ballad remains one of Africa\u2019s most beloved records. Its many modern reinterpretations from live tributes to sampled melodies in Afropop hits have kept its legacy alive. No one artist owns its revival; it\u2019s a national sentiment that resurfaces every Mother\u2019s Day, in skits, films, and acoustic renditions across YouTube. Its timeless appeal proves that some classics never truly fade; they simply wait for another generation to sing them again.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Love Me Jeje \u2013 From Seyi Sodimu to Tems<\/span><\/strong><\/p>\n<figure id=\"attachment_219065\" aria-describedby=\"caption-attachment-219065\" style=\"width: 479px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219065\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2234.jpeg\" alt=\"\" width=\"479\" height=\"372\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2234.jpeg 479w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2234-300x233.jpeg 300w\" sizes=\"(max-width: 479px) 100vw, 479px\" \/><figcaption id=\"caption-attachment-219065\" class=\"wp-caption-text\">Tems| Seyi Sodimu<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">When Tems dropped her 2024 version of <\/span><span class=\"s3\">Love Me Jeje<\/span><span class=\"s1\">, the reaction was immediate. The single surpassed one million YouTube views within days, with fans praising how she turned a \u201990s love anthem into a sultry, modern groove. The original by Seyi Sodimu and Shaffy Bello was a radio staple in 1997, marking one of Nigeria\u2019s earliest R&amp;B crossovers. Tems\u2019 reinterpretation, smooth and stripped down, brought the same tenderness to a new digital era. It became a full-circle moment where yesterday\u2019s romance met today\u2019s minimalism.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Osondi Owendi \u2013 From Osita Osadebe to Flavour\u2019s Highlife Revival<\/span><\/strong><\/p>\n<figure id=\"attachment_219064\" aria-describedby=\"caption-attachment-219064\" style=\"width: 1284px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219064\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-42.jpeg\" alt=\"\" width=\"1284\" height=\"720\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-42.jpeg 1284w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-42-300x168.jpeg 300w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-42-1024x574.jpeg 1024w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-42-768x431.jpeg 768w\" sizes=\"(max-width: 1284px) 100vw, 1284px\" \/><figcaption id=\"caption-attachment-219064\" class=\"wp-caption-text\">Osita Osadebe | Flavour<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Highlife never left the southeast, but Flavour gave it a fresh heartbeat. His <\/span><span class=\"s3\">Ada Ada<\/span><span class=\"s1\"> and <\/span><span class=\"s3\">Levels<\/span><span class=\"s1\"> carry echoes of Osadebe\u2019s <\/span><span class=\"s3\">Osondi Owendi<\/span><span class=\"s1\">, one of the most influential highlife tracks in Igbo music history. By merging vintage instrumentation with contemporary production, Flavour turned nostalgia into pop appeal. The respect is mutual as Osadebe\u2019s legacy lives on every time Flavour takes a traditional rhythm and gives it swagger for a new crowd.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Olufunmi reimagined by ID Cabasa<\/span><\/strong><\/p>\n<figure id=\"attachment_219063\" aria-describedby=\"caption-attachment-219063\" style=\"width: 1284px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219063\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-41.jpeg\" alt=\"\" width=\"1284\" height=\"720\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-41.jpeg 1284w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-41-300x168.jpeg 300w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-41-1024x574.jpeg 1024w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/photo-output-41-768x431.jpeg 768w\" sizes=\"(max-width: 1284px) 100vw, 1284px\" \/><figcaption id=\"caption-attachment-219063\" class=\"wp-caption-text\">Styl-Plus| ID Cabasa<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Styl-Plus\u2019 <\/span><span class=\"s3\">Olufunmi<\/span><span class=\"s1\"> was a defining early-2000s love ballad, and in 2024 producer ID Cabasa gave it a full modern makeover. Titled <\/span><span class=\"s3\">Olufunmi Reimagined<\/span><span class=\"s1\">, the track features Fireboy DML, Odumodublvck, BOJ and Joeboy. Cabasa preserves the original hook while updating the production and inviting a cross-generation cast of voices to carry the melody into playlists and TikTok loops. The video and streams show the formula at work \u2014 nostalgia plus contemporary star power equals instant rediscovery. The release clocked millions of plays on Spotify within weeks of release. <\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Oliver De Coque\u2019s Legacy \u2013 Safin De Coque and the Trap-Highlife Fusion<\/span><\/strong><\/p>\n<figure id=\"attachment_219068\" aria-describedby=\"caption-attachment-219068\" style=\"width: 1900px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219068\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246.jpeg\" alt=\"\" width=\"1900\" height=\"1900\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246.jpeg 1900w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246-300x300.jpeg 300w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246-1024x1024.jpeg 1024w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246-150x150.jpeg 150w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246-768x768.jpeg 768w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2246-1536x1536.jpeg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\" \/><figcaption id=\"caption-attachment-219068\" class=\"wp-caption-text\">Oliver De Coque | Safin De Coque<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Some legacies run in the blood. Safin De Coque, son of the late highlife icon Oliver De Coque, took his father\u2019s trademark guitar licks and layered them over trap beats and street rhythms. Songs like <\/span><span class=\"s3\">Egwu Eji<\/span><span class=\"s1\"> and <\/span><span class=\"s3\">Identity<\/span><span class=\"s1\"> blend old-school highlife with Gen Z bounce, proving that the remix formula isn\u2019t only about covering old songs alone. It\u2019s also about reimagining entire genres for a streaming generation.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Fela\u2019s Sound Lives On \u2013 Burna Boy\u2019s Global Conversation<\/span><\/strong><\/p>\n<figure id=\"attachment_219062\" aria-describedby=\"caption-attachment-219062\" style=\"width: 576px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219062\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2247.jpeg\" alt=\"\" width=\"576\" height=\"384\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2247.jpeg 576w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2247-300x200.jpeg 300w\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><figcaption id=\"caption-attachment-219062\" class=\"wp-caption-text\">Fela | Burna Boy<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">No revival conversation is complete without Fela Kuti. Burna Boy\u2019s music remains the most successful modern reinterpretation of the Afrobeat pioneer\u2019s legacy. Tracks like <\/span><span class=\"s3\">Ye<\/span><span class=\"s1\">, <\/span><span class=\"s3\">Onyeka<\/span><span class=\"s1\">, and <\/span><span class=\"s3\">Big 7<\/span><span class=\"s1\"> borrow Fela\u2019s fearless energy and activism but repackage them for the Afrofusion age. This modernized Afrobeat has carried Burna from Lagos clubs to the Grammys, solidifying Fela\u2019s influence as the heartbeat of Nigeria\u2019s global sound.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">Mike Ejeagha \u2013 From Folklore to TikTok Fame<\/span><\/strong><\/p>\n<figure id=\"attachment_219069\" aria-describedby=\"caption-attachment-219069\" style=\"width: 623px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-219069\" src=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2248.jpeg\" alt=\"\" width=\"623\" height=\"900\" srcset=\"https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2248.jpeg 623w, https:\/\/www.withinnigeria.com\/entertainment\/wp-content\/uploads\/sites\/6\/2025\/10\/IMG_2248-208x300.jpeg 208w\" sizes=\"(max-width: 623px) 100vw, 623px\" \/><figcaption id=\"caption-attachment-219069\" class=\"wp-caption-text\">Skitmaker Brain Jotter &amp; Mike Ejeagha<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\"><a href=\"https:\/\/www.withinnigeria.com\/entertainment\/2025\/06\/10\/mike-ejeagha-the-gwo-gwo-ngwo-legend-whose-voice-echoes-beyond-the-grave\/\">Few could have predicted that a folklore storyteller from the 1970s would go viral on social media in the 2020s with his Gwo Gwo Nwgo classic<\/a>. But late Mike Ejeagha\u2019s deep-voiced wisdom and acoustic storytelling have found new life online. His songs are sampled in lo-fi remixes, used in Nollywood montages, and quoted by Gen Z creators who have turned his once-regional tales into digital poetry. It\u2019s the remix era\u2019s most unexpected triumph, which is another solid proof that the internet can make a legend out of a teacher all over again.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">The Industry Take<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">For producers and record labels, these revivals aren\u2019t just nostalgic experiments. They are smart business moves. Sampling and remaking familiar tunes guarantee emotional connection and clicks. Music executives admit that when a classic melody plays in a club or playlist, audiences instinctively react, even if they can\u2019t place where they first heard it. That emotional recognition translates into streams, virality, and longevity.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The trend has also created a new kind of collaboration that transcends time. Some veteran artists like Ebenezer Obey and Seyi Sodimu have publicly endorsed these reinterpretations, calling them proof that Nigerian music is alive and evolutionary. It\u2019s a mutual exchange of respect where the legends lend legacy, the newcomers bring visibility.<\/span><\/p>\n<p class=\"p1\"><strong><span class=\"s2\">The Remix Era and What It Means<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">If the 2000s were about creating new genres, the 2020s are about curating them. Nigerian artists aren\u2019t just remixing songs alone, they\u2019re also remixing memory itself. Each revival tells a story of where we\u2019ve been, what we\u2019ve become, and how music continues to bind generations.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">As Tems, Simi, and others continue to bridge eras, one truth remains clear: in Nigerian music, the past isn\u2019t behind us. It\u2019s right here in the chorus, waiting to be sung again, but this time, by new voices and louder speakers.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nigerian music has always had a memory. Even when it dances into the future with Afrobeats and global fusions, it never quite forgets the melodies that raised a generation. In the last few years, that memory has become a full-blown movement. From Tems reviving Seyi Sodimu\u2019s Love Me Jeje to Simi\u2019s soulful take on Ebenezer [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":219070,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","override":[{"template":"2","single_blog_custom":"94000","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"3","zoom_button_in_step":"3","number_popup_post":"1","show_author_box":"0","show_post_related":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"footnotes":""},"categories":[3],"tags":[82,13810,34701,233,6351,34702,5011,53],"class_list":["post-219060","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-celebrities","tag-burna-boy","tag-classics","tag-davido-tems","tag-flavour","tag-id-cabasa","tag-reimagined","tag-remix","tag-simi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>The remix formula: Why Nigerian artists keep reviving old classics we grew up with<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.withinnigeria.com\/entertainment\/2025\/10\/27\/the-remix-formula-why-nigerian-artists-keep-reviving-old-classics-we-grew-up-with\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The remix formula: Why Nigerian artists keep reviving old classics we grew up with\" \/>\n<meta property=\"og:description\" content=\"Nigerian music has always had a memory. 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