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How my wife divorced me for singing ‘stupid’ songs – ace nollywood soundtrack composer, Stanley Okorie

Stanley Okorie speaks on how work affected his marriage

Ifeoluwa by Ifeoluwa
June 23, 2024
in Celebrities
Reading Time: 3 mins read
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How my wife divorced me for singing ‘stupid’ songs – ace nollywood soundtrack composer, Stanley Okorie
  • Legendary Nollywood soundtrack composer, Stanley Okorie has opened up on his first two marriages and why it hit the rocks.
  • The Karashika hitmaker in a recent interview said the first one was largely his fault due to some things he did.
  • Stanley Okorie regrettably admitted to not arguing with his wife when she asked for a divorce.

Veteran Nollywood soundtrack composer and singer, Stanley Okorie, has revealed the reasons behind the failures of his first two marriages.

According to Okorie, his first wife divorced him because she found his songs “stupid.” He also admitted to being an “insensitive” husband.

The soundtrack composer shared his candid reflections during a chat with popular media personality Chude Jideonwo.

Stanley Okorie

The “Billionaire” hitmaker said:

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“My first divorce was the most painful. You know, the first cut is always the deepest. I have my own share of blame. Most people, when they talk about their problems in a marriage or a relationship, are quick to highlight the other person’s faults. I’m not saying I was entirely at fault, but I was a very insensitive husband. I blame myself for that one.

“I wasn’t a caring husband. Sometimes, if my wife did her hair, I’d say, ‘I’m going to the studio, come ooo.’ No, that’s not nice. I wouldn’t remember her birthday because there was a time I was doing all the job [Nollywood soundtracks], and people would call me from London, pay for my ticket, and I would go and do the music. I thought providing for the family was enough. But sometimes, the first rule of love is presence. You can give all the money, but the first rule of love is presence.

“My first wife wasn’t after money. Sometimes, when I gave her money, I’d return to find the money on the table. I was very busy with music, going from studio to studio. So when I look back, I see that’s the cost.

Everything comes at a cost. Economists call it opportunity cost. In my first marriage, I was very, very insensitive. If I had been more mature—of course, I married very young—I wondered why she wasn’t seeing all the work I was doing. I failed on that score.

“The first day she looked at me and said, ‘I can’t take this anymore,’ I knew she was telling the truth, so I didn’t want to argue. Instead of going to beg her, I was singing stupid songs to console myself.

“After that, I went through a second divorce. At some point, my wife died. My son died. Some of the songs I sing were my escape from my sad reality, and they helped me deal with it to some level. But I tell you, there’s no method of dealing with a problem better than confronting the problem. So music wasn’t fair to me on that score.

I was using it as an escape instead of confronting my problems. Some things that delight you today will, at some point, hurt. So that’s how it’s been a blessing and a curse. But I’m happy now where I am. I’m happily married with kids, doing well, and still recording music.”

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